Poem for Joe (on our wedding day)
Five years and seventy-four days
your lips have known mine,
two shells of burning sage
musty and sweet.
This is my favorite smell
your breath mixed with mine,
threshold to an older world
where words and thoughts
melt quietly as snow.
This breath takes me to the desert
where spirits dance, branches
in pine shadow breezes
and men and women gathering pinions
make love on soft juniper beds,
and the deer come, full bodied,
silent and strong (just like you)
and offer themselves for no other reason
that we may know
the mysteries of love’s sacrifice.
This breath takes me to the mountains
and leads me to the back country
where cold winds blow
over small proud flowers,
and the lakes, ancient and deep,
a black, blacker than black,
captures the light of the stars
the backs of a thousand
shimmering snakes
moving upon the waters.
And this breath, yours and mine, takes me to the oceans,
air so thick we can hardly breathe,
dry kelp and crab art,
tiny fleas tickling feet.
We laugh and let go
throwing ourselves into the water
finally released from these heavy bodies,
our burdens laid down
we are free
turtles returning to sea
November
The days are softer now
and the sharp edge of summer
and its glaring push
have subsided and turned
into scarlet leaves
of Cottonwood,
Sycamore,
and the old oaks
leaning over
the quiescent creek
reflecting upon
all that once was.
Something has shifted,
a slight turn of time
and all the crazy pieces
fall into place
with a “snap”
I can hear ourselves
exhaling
as we say
“It is round”
Nothing more to add
It is just right,
at this moment,
It is round
Lunacy
Luna, Lunar, Lunacy
a silver fish, glistening
wet, slippery and subversive
untamed and unreachable
forbid, I even touch
her painted scales
Still, I grow ill with madness
She pulls strong yet remains
distant, fickle
a warm gust on a cold day
No sense to be made
words belong to her
This is not my ceremony
this is a ceremony
earth and moon
sky and stars
all blown in by the wind.
Put your ear to the ground
Shut your eyes
Listen
Can you hear?
When I am quiet
she speaks
A spider weaving a web
for catching fish.
Moon poem #4
She takes scorched hair,
with slim hands of soft light
combs through forgotten fields
of unwanted land, dry and harsh
brushing aside the cinders,
all that is consumed with ash.
In the brightness of her grace
even the old creosote
casts a shadow in this place
How the liquid of the moon
bleeds from beneath the shadows
to soften these hard lines of
barbed wire and rusted tin,
How her waters round out the valleys
like an old bear’s hip
and softens the edges
with mugwort and sage.
Moon, Moon
your name rests upon my tongue
colors my lips
drips down my jaw
onto belly and toes
dreams edge from the deep comfort of sleep
a drop of water falls
a perfectly smooth bead
awakening the tortoise
who moves slowly
not by clocks, or fancy thoughts
but by inner rhythms
of trees and of seasons
to the place of beginnings
of birth, and death, and where
the expectant earth,
waits without time
for the rain,
for the moon
illuminating
the stone
Father Loss
10/12/08
October landed hard this year,
not soft and slow like the leaves that fall
in the sweet turning of September.
It came quick and harsh, crushing summer
under the cold weight of bitter sharp,
a knife thrust into frozen ground.
Everything has fallen toward Earth,
even your body, which no longer stands
on strong legs, that once harvested the
crops that you planted, or lifted me into
the air, flying freely, pleased with the
lightness of another day.
I bring you a glass of water
hoping it will fill you with God’s grace
like rivers that flow after a spring thaw,
or birds that find their way home each year.
Just one more chance for redemption,
but the glass remains untouched.
There once was a staff planted in a great field.
I used it to navigate through this world.
It was a center piece, a homing device,
a bearing of my own belonging
in an unknown land.
But now I am truly lost.
We reach the summit and he says
“This is where I come in the fall
to camp beneath the Aspen
and watch golden-haired maidens
spinning in the wind”
Stepping out from beneath the trees
across the road and into the silence
we contemplate the valley below
spread open in a dark haze
eight
thousand
feet
deep
pre me
pre you
pre history
and multi-layered
with heliotrope and
scarlet,
a tint of yellow,
ashen
“It’s hot down there”.
And out in the distance
we could see where the river
has carved a path through the forest
seducing the stones, shyly and purposely
into her own design
and then leaps
into the canyon
A green serpent
uncoils,
shifts
and slides
into the fire.
Bighorn
Walking on clouds
of dust and dreams
Movement without sound
“Stillness”, you say
Hush.
A faint path of
slippery rock and creosote
you beckon me
into the backcountry.
where the mountain
has eyes on every
stone
Two Mothers
August 4th, 2005
One has traveled far
through generations
of forsaking
flesh, stone,
tree, mud
earth-body,
weighted down
with number
and time
The other has a plan
well put into place,
rise and fall,
chaos and creativity,
A columbine gently
bends toward the river,
abundant,
spirit melting into soul
and moving
with great force
The first mother
knows this but does not
remember. Does not
recognize what
in her body
once was
a river
with a flower
that wanted
to sing



I love “Manti-La Sal Loop.” This year we went down to the Blue Mountain Loop, so we could pick up KSUT. We collected several dozen turkey feathers for my Dreamcatcher, and for gifts at Hopi. I found an Indian Paintbrush up tp my belly button. A Blue Grouse scared us half to death at takeoff – she must have been sleeping. A fox somehow jumped six feet up an aspen to steal apple cores from the trash.